Hi, Rob!

How are you doing? I'm OK. My day didn't start too well though. My alarm didn't go off and I (1) ... . (My mum (2) ... to work early today so she wasn't around in the morning to get me up.) Then I got held up on the way to school because the bus I was on (3) ... down. When I finally made it into class, I (4) ... off by the teacher and had to stay on after school for a detention (остав­ле­ние после урока)! Then on the way back home I bumped into Craig. He (5) ... a few family dramas to deal with recently. Apparently his dad has been laid off from the bank where he worked and his sister (6) ... out of the university so they're both at home feeling miserable.

What are you up to at the weekend? A few of us (7) ... together for a game of beach volleyball. Why don't you come along?

Archie

Hi, Rob!

How are you doing? I'm OK. My day didn't start too well though. My alarm didn't go off and I (1) ... . (My mum (2) ... to work early today so she wasn't around in the morning to get me up.) Then I got held up on the way to school because the bus I was on (3) ... down. When I finally made it into class, I (4) ... off by the teacher and had to stay on after school for a detention (остав­ле­ние после урока)! Then on the way back home I bumped into Craig. He (5) ... a few family dramas to deal with recently. Apparently his dad has been laid off from the bank where he worked and his sister (6) ... out of the university so they're both at home feeling miserable.

What are you up to at the weekend? A few of us (7) ... together for a game of beach volleyball. Why don't you come along?

Archie

Hi, Rob!

How are you doing? I'm OK. My day didn't start too well though. My alarm didn't go off and I (1) ... . (My mum (2) ... to work early today so she wasn't around in the morning to get me up.) Then I got held up on the way to school because the bus I was on (3) ... down. When I finally made it into class, I (4) ... off by the teacher and had to stay on after school for a detention (остав­ле­ние после урока)! Then on the way back home I bumped into Craig. He (5) ... a few family dramas to deal with recently. Apparently his dad has been laid off from the bank where he worked and his sister (6) ... out of the university so they're both at home feeling miserable.

What are you up to at the weekend? A few of us (7) ... together for a game of beach volleyball. Why don't you come along?

Archie

Hi, Rob!

How are you doing? I'm OK. My day didn't start too well though. My alarm didn't go off and I (1) ... . (My mum (2) ... to work early today so she wasn't around in the morning to get me up.) Then I got held up on the way to school because the bus I was on (3) ... down. When I finally made it into class, I (4) ... off by the teacher and had to stay on after school for a detention (остав­ле­ние после урока)! Then on the way back home I bumped into Craig. He (5) ... a few family dramas to deal with recently. Apparently his dad has been laid off from the bank where he worked and his sister (6) ... out of the university so they're both at home feeling miserable.

What are you up to at the weekend? A few of us (7) ... together for a game of beach volleyball. Why don't you come along?

Archie

Napoleon III of France was (1) ... for the invention of the butter substitute known as margarine. He was looking for a cheap (2) ... to butter for the poorer people of society, and for his army and navy. So he (3) ... up a prize competition to see who would (4) ... up with the best solution.

There was only one entry into this competition, from a man called Meges-Mouries. He had (5) ... over two years experimenting, and finally found an acceptable butter substitute made from milk and various animal fats. Meges-Mouries' invention was awarded the prize.

Margarine soon went into mass production and was exported all over the world. In Britain it was called 'Butterine', until protests from farmers (6) ... to that name being made illegal. Farmers in America were not happy about the new arrival on the market either. They (7) ... to the yellow colouring, saying that it made it resemble butter so closely that it could deceive consumers. In effect, Napoleon III's competition is still going on. The ultimate (8) ... of every margarine manufacturer is to produce a product that is (9) ... to distinguish from butter. And they keep trying.

Napoleon III of France was (1) ... for the invention of the butter substitute known as margarine. He was looking for a cheap (2) ... to butter for the poorer people of society, and for his army and navy. So he (3) ... up a prize competition to see who would (4) ... up with the best solution.

There was only one entry into this competition, from a man called Meges-Mouries. He had (5) ... over two years experimenting, and finally found an acceptable butter substitute made from milk and various animal fats. Meges-Mouries' invention was awarded the prize.

Margarine soon went into mass production and was exported all over the world. In Britain it was called 'Butterine', until protests from farmers (6) ... to that name being made illegal. Farmers in America were not happy about the new arrival on the market either. They (7) ... to the yellow colouring, saying that it made it resemble butter so closely that it could deceive consumers. In effect, Napoleon III's competition is still going on. The ultimate (8) ... of every margarine manufacturer is to produce a product that is (9) ... to distinguish from butter. And they keep trying.

Napoleon III of France was (1) ... for the invention of the butter substitute known as margarine. He was looking for a cheap (2) ... to butter for the poorer people of society, and for his army and navy. So he (3) ... up a prize competition to see who would (4) ... up with the best solution.

There was only one entry into this competition, from a man called Meges-Mouries. He had (5) ... over two years experimenting, and finally found an acceptable butter substitute made from milk and various animal fats. Meges-Mouries' invention was awarded the prize.

Margarine soon went into mass production and was exported all over the world. In Britain it was called 'Butterine', until protests from farmers (6) ... to that name being made illegal. Farmers in America were not happy about the new arrival on the market either. They (7) ... to the yellow colouring, saying that it made it resemble butter so closely that it could deceive consumers. In effect, Napoleon III's competition is still going on. The ultimate (8) ... of every margarine manufacturer is to produce a product that is (9) ... to distinguish from butter. And they keep trying.

Napoleon III of France was (1) ... for the invention of the butter substitute known as margarine. He was looking for a cheap (2) ... to butter for the poorer people of society, and for his army and navy. So he (3) ... up a prize competition to see who would (4) ... up with the best solution.

There was only one entry into this competition, from a man called Meges-Mouries. He had (5) ... over two years experimenting, and finally found an acceptable butter substitute made from milk and various animal fats. Meges-Mouries' invention was awarded the prize.

Margarine soon went into mass production and was exported all over the world. In Britain it was called 'Butterine', until protests from farmers (6) ... to that name being made illegal. Farmers in America were not happy about the new arrival on the market either. They (7) ... to the yellow colouring, saying that it made it resemble butter so closely that it could deceive consumers. In effect, Napoleon III's competition is still going on. The ultimate (8) ... of every margarine manufacturer is to produce a product that is (9) ... to distinguish from butter. And they keep trying.

Napoleon III of France was (1) ... for the invention of the butter substitute known as margarine. He was looking for a cheap (2) ... to butter for the poorer people of society, and for his army and navy. So he (3) ... up a prize competition to see who would (4) ... up with the best solution.

There was only one entry into this competition, from a man called Meges-Mouries. He had (5) ... over two years experimenting, and finally found an acceptable butter substitute made from milk and various animal fats. Meges-Mouries' invention was awarded the prize.

Margarine soon went into mass production and was exported all over the world. In Britain it was called 'Butterine', until protests from farmers (6) ... to that name being made illegal. Farmers in America were not happy about the new arrival on the market either. They (7) ... to the yellow colouring, saying that it made it resemble butter so closely that it could deceive consumers. In effect, Napoleon III's competition is still going on. The ultimate (8) ... of every margarine manufacturer is to produce a product that is (9) ... to distinguish from butter. And they keep trying.

Napoleon III of France was (1) ... for the invention of the butter substitute known as margarine. He was looking for a cheap (2) ... to butter for the poorer people of society, and for his army and navy. So he (3) ... up a prize competition to see who would (4) ... up with the best solution.

There was only one entry into this competition, from a man called Meges-Mouries. He had (5) ... over two years experimenting, and finally found an acceptable butter substitute made from milk and various animal fats. Meges-Mouries' invention was awarded the prize.

Margarine soon went into mass production and was exported all over the world. In Britain it was called 'Butterine', until protests from farmers (6) ... to that name being made illegal. Farmers in America were not happy about the new arrival on the market either. They (7) ... to the yellow colouring, saying that it made it resemble butter so closely that it could deceive consumers. In effect, Napoleon III's competition is still going on. The ultimate (8) ... of every margarine manufacturer is to produce a product that is (9) ... to distinguish from butter. And they keep trying.

Napoleon III of France was (1) ... for the invention of the butter substitute known as margarine. He was looking for a cheap (2) ... to butter for the poorer people of society, and for his army and navy. So he (3) ... up a prize competition to see who would (4) ... up with the best solution.

There was only one entry into this competition, from a man called Meges-Mouries. He had (5) ... over two years experimenting, and finally found an acceptable butter substitute made from milk and various animal fats. Meges-Mouries' invention was awarded the prize.

Margarine soon went into mass production and was exported all over the world. In Britain it was called 'Butterine', until protests from farmers (6) ... to that name being made illegal. Farmers in America were not happy about the new arrival on the market either. They (7) ... to the yellow colouring, saying that it made it resemble butter so closely that it could deceive consumers. In effect, Napoleon III's competition is still going on. The ultimate (8) ... of every margarine manufacturer is to produce a product that is (9) ... to distinguish from butter. And they keep trying.

Napoleon III of France was (1) ... for the invention of the butter substitute known as margarine. He was looking for a cheap (2) ... to butter for the poorer people of society, and for his army and navy. So he (3) ... up a prize competition to see who would (4) ... up with the best solution.

There was only one entry into this competition, from a man called Meges-Mouries. He had (5) ... over two years experimenting, and finally found an acceptable butter substitute made from milk and various animal fats. Meges-Mouries' invention was awarded the prize.

Margarine soon went into mass production and was exported all over the world. In Britain it was called 'Butterine', until protests from farmers (6) ... to that name being made illegal. Farmers in America were not happy about the new arrival on the market either. They (7) ... to the yellow colouring, saying that it made it resemble butter so closely that it could deceive consumers. In effect, Napoleon III's competition is still going on. The ultimate (8) ... of every margarine manufacturer is to produce a product that is (9) ... to distinguish from butter. And they keep trying.

1. Mary Elton Mark

I loved photography from the moment I first picked up a camera and knew my life would be devoted to it. I don't think you can develop or learn a "way of seeing or a "point of view'. It's something that's inside you. It's how you look at the world. I want my photographs not only to be real but to portray the essence of my subjects, too. To do that, you have to be patient  — it can't be rushed. I prefer doing portraiture on location. On a subject's home ground you pick up certain hints that tell you personal things and they come up with ideas.

2. Tina Barney

I don't know how my brain works, but I do know that I work really fast. My shoots don't vary: an hour to set up, an hour to take the shots. And the minute I walk into a room I know what I'm going to shoot, although what that is only becomes clear to me after seeing the result. So it's a subconscious (под­со­зна­тель­ный) process. I started taking pictures in the 1970s for all the beautiful reasons photography was known for. Then all of a sudden digital technology booms and darkrooms get disappeared from photography schools. But I really believe in the classical way. It all comes down to looking at a piece of art and dissecting it and understanding how it's put together. I think the most important thing is to go out in the world and see.

3. Rankin

I think if you aren't fascinated by people, you'll never succeed as a portrait photographer, because your pictures will look cold. You don't have to know anything about the people in advance of the session, you just tap into them  — it's a skill. Every shoot is different and you have to alter your approach accordingly. You have to try to get into people's heads, so that they can open up to you and give you something. Sometimes we chat first, but sometimes it's good for everyone to be fresh and tense when you start out. I use the technique of being casual and informal and rude or asking my subjects to do ridiculous things, but I don't set out to upset anyone. I hope the viewer sees what I see. I think two words that would describe my work well are: humour and honesty.

4. Sebastião Salgado

It's difficult to explain why we're more attracted to certain images than others. For me, black and white photography has a certain kind of power. I'm talking about instantaneous photography, the kind that happens in a fraction of a second. A great picture is one that transmits a lot of emotion and where you can see who took it; who that person is. I come from a Latin American world, where you believe in things and you form a relationship with your surroundings. I also grew up with a sense of mysticism and belonging. The cynicism that exists in certain kinds of photography, and that pleasure of seeing oneself as a deep individualist, that's not for me. We're a gregarious species made to live together. That's the point of view of my photography and the starting point of all my work.

1. Mary Elton Mark

I loved photography from the moment I first picked up a camera and knew my life would be devoted to it. I don't think you can develop or learn a "way of seeing or a "point of view'. It's something that's inside you. It's how you look at the world. I want my photographs not only to be real but to portray the essence of my subjects, too. To do that, you have to be patient  — it can't be rushed. I prefer doing portraiture on location. On a subject's home ground you pick up certain hints that tell you personal things and they come up with ideas.

2. Tina Barney

I don't know how my brain works, but I do know that I work really fast. My shoots don't vary: an hour to set up, an hour to take the shots. And the minute I walk into a room I know what I'm going to shoot, although what that is only becomes clear to me after seeing the result. So it's a subconscious (под­со­зна­тель­ный) process. I started taking pictures in the 1970s for all the beautiful reasons photography was known for. Then all of a sudden digital technology booms and darkrooms get disappeared from photography schools. But I really believe in the classical way. It all comes down to looking at a piece of art and dissecting it and understanding how it's put together. I think the most important thing is to go out in the world and see.

3. Rankin

I think if you aren't fascinated by people, you'll never succeed as a portrait photographer, because your pictures will look cold. You don't have to know anything about the people in advance of the session, you just tap into them  — it's a skill. Every shoot is different and you have to alter your approach accordingly. You have to try to get into people's heads, so that they can open up to you and give you something. Sometimes we chat first, but sometimes it's good for everyone to be fresh and tense when you start out. I use the technique of being casual and informal and rude or asking my subjects to do ridiculous things, but I don't set out to upset anyone. I hope the viewer sees what I see. I think two words that would describe my work well are: humour and honesty.

4. Sebastião Salgado

It's difficult to explain why we're more attracted to certain images than others. For me, black and white photography has a certain kind of power. I'm talking about instantaneous photography, the kind that happens in a fraction of a second. A great picture is one that transmits a lot of emotion and where you can see who took it; who that person is. I come from a Latin American world, where you believe in things and you form a relationship with your surroundings. I also grew up with a sense of mysticism and belonging. The cynicism that exists in certain kinds of photography, and that pleasure of seeing oneself as a deep individualist, that's not for me. We're a gregarious species made to live together. That's the point of view of my photography and the starting point of all my work.

1. Mary Elton Mark

I loved photography from the moment I first picked up a camera and knew my life would be devoted to it. I don't think you can develop or learn a "way of seeing or a "point of view'. It's something that's inside you. It's how you look at the world. I want my photographs not only to be real but to portray the essence of my subjects, too. To do that, you have to be patient  — it can't be rushed. I prefer doing portraiture on location. On a subject's home ground you pick up certain hints that tell you personal things and they come up with ideas.

2. Tina Barney

I don't know how my brain works, but I do know that I work really fast. My shoots don't vary: an hour to set up, an hour to take the shots. And the minute I walk into a room I know what I'm going to shoot, although what that is only becomes clear to me after seeing the result. So it's a subconscious (под­со­зна­тель­ный) process. I started taking pictures in the 1970s for all the beautiful reasons photography was known for. Then all of a sudden digital technology booms and darkrooms get disappeared from photography schools. But I really believe in the classical way. It all comes down to looking at a piece of art and dissecting it and understanding how it's put together. I think the most important thing is to go out in the world and see.

3. Rankin

I think if you aren't fascinated by people, you'll never succeed as a portrait photographer, because your pictures will look cold. You don't have to know anything about the people in advance of the session, you just tap into them  — it's a skill. Every shoot is different and you have to alter your approach accordingly. You have to try to get into people's heads, so that they can open up to you and give you something. Sometimes we chat first, but sometimes it's good for everyone to be fresh and tense when you start out. I use the technique of being casual and informal and rude or asking my subjects to do ridiculous things, but I don't set out to upset anyone. I hope the viewer sees what I see. I think two words that would describe my work well are: humour and honesty.

4. Sebastião Salgado

It's difficult to explain why we're more attracted to certain images than others. For me, black and white photography has a certain kind of power. I'm talking about instantaneous photography, the kind that happens in a fraction of a second. A great picture is one that transmits a lot of emotion and where you can see who took it; who that person is. I come from a Latin American world, where you believe in things and you form a relationship with your surroundings. I also grew up with a sense of mysticism and belonging. The cynicism that exists in certain kinds of photography, and that pleasure of seeing oneself as a deep individualist, that's not for me. We're a gregarious species made to live together. That's the point of view of my photography and the starting point of all my work.

1. Mary Elton Mark

I loved photography from the moment I first picked up a camera and knew my life would be devoted to it. I don't think you can develop or learn a "way of seeing or a "point of view'. It's something that's inside you. It's how you look at the world. I want my photographs not only to be real but to portray the essence of my subjects, too. To do that, you have to be patient  — it can't be rushed. I prefer doing portraiture on location. On a subject's home ground you pick up certain hints that tell you personal things and they come up with ideas.

2. Tina Barney

I don't know how my brain works, but I do know that I work really fast. My shoots don't vary: an hour to set up, an hour to take the shots. And the minute I walk into a room I know what I'm going to shoot, although what that is only becomes clear to me after seeing the result. So it's a subconscious (под­со­зна­тель­ный) process. I started taking pictures in the 1970s for all the beautiful reasons photography was known for. Then all of a sudden digital technology booms and darkrooms get disappeared from photography schools. But I really believe in the classical way. It all comes down to looking at a piece of art and dissecting it and understanding how it's put together. I think the most important thing is to go out in the world and see.

3. Rankin

I think if you aren't fascinated by people, you'll never succeed as a portrait photographer, because your pictures will look cold. You don't have to know anything about the people in advance of the session, you just tap into them  — it's a skill. Every shoot is different and you have to alter your approach accordingly. You have to try to get into people's heads, so that they can open up to you and give you something. Sometimes we chat first, but sometimes it's good for everyone to be fresh and tense when you start out. I use the technique of being casual and informal and rude or asking my subjects to do ridiculous things, but I don't set out to upset anyone. I hope the viewer sees what I see. I think two words that would describe my work well are: humour and honesty.

4. Sebastião Salgado

It's difficult to explain why we're more attracted to certain images than others. For me, black and white photography has a certain kind of power. I'm talking about instantaneous photography, the kind that happens in a fraction of a second. A great picture is one that transmits a lot of emotion and where you can see who took it; who that person is. I come from a Latin American world, where you believe in things and you form a relationship with your surroundings. I also grew up with a sense of mysticism and belonging. The cynicism that exists in certain kinds of photography, and that pleasure of seeing oneself as a deep individualist, that's not for me. We're a gregarious species made to live together. That's the point of view of my photography and the starting point of all my work.

The street party is a popular form of celebration in Britain. Whole streets come together to mark such important national occasions as a new millennium. (1) ... , it is impossible to hold a party in a busy street, so traffic is banned. This may annoy motorists but it is (2) ... Street parties need the involvement of as many people as possible. They (3) ... people who live in cities to unite as a (4) ... just as they would in a traditional small village or town.

The street party is a popular form of celebration in Britain. Whole streets come together to mark such important national occasions as a new millennium. (1) ... , it is impossible to hold a party in a busy street, so traffic is banned. This may annoy motorists but it is (2) ... Street parties need the involvement of as many people as possible. They (3) ... people who live in cities to unite as a (4) ... just as they would in a traditional small village or town.

The street party is a popular form of celebration in Britain. Whole streets come together to mark such important national occasions as a new millennium. (1) ... , it is impossible to hold a party in a busy street, so traffic is banned. This may annoy motorists but it is (2) ... Street parties need the involvement of as many people as possible. They (3) ... people who live in cities to unite as a (4) ... just as they would in a traditional small village or town.

The street party is a popular form of celebration in Britain. Whole streets come together to mark such important national occasions as a new millennium. (1) ... , it is impossible to hold a party in a busy street, so traffic is banned. This may annoy motorists but it is (2) ... Street parties need the involvement of as many people as possible. They (3) ... people who live in cities to unite as a (4) ... just as they would in a traditional small village or town.

Miguel de Cervantes, creator of Don Quixote, one of literature’s most popular and enduring characters, is possibly the most renowned Spanish writer of (1) ... time. Cervantes was bom near Madrid in 1547, and his life appears to (2) ... been every bit as exciting as any of his fiction. He spent several years in Rome before joining the Spanish army in 1570. The next year he (3) ... part in a fierce naval battle against the forces of the Ottoman Empire. During the battle he (4) ... shot twice in the chest and lost the use of his left hand.

1.  She described the whole play to us ... detail.

2.  Both my sons are crazy ... old motorbikes.

3.  The restaurant prides itself ... having the best pizza in town.

4.  There are so ... lemons in the fridge that I can't make lemonade.

5.  ... Susan use to be slim when she was at university?

6.  Bob Dylan ... original name was Robert Zimmerman won the Nobel Prize in Literature in 2016.

1.  She described the whole play to us ... detail.

2.  Both my sons are crazy ... old motorbikes.

3.  The restaurant prides itself ... having the best pizza in town.

4.  There are so ... lemons in the fridge that I can't make lemonade.

5.  ... Susan use to be slim when she was at university?

6.  Bob Dylan ... original name was Robert Zimmerman won the Nobel Prize in Literature in 2016.

1.  She described the whole play to us ... detail.

2.  Both my sons are crazy ... old motorbikes.

3.  The restaurant prides itself ... having the best pizza in town.

4.  There are so ... lemons in the fridge that I can't make lemonade.

5.  ... Susan use to be slim when she was at university?

6.  Bob Dylan ... original name was Robert Zimmerman won the Nobel Prize in Literature in 2016.

1.  She described the whole play to us ... detail.

2.  Both my sons are crazy ... old motorbikes.

3.  The restaurant prides itself ... having the best pizza in town.

4.  There are so ... lemons in the fridge that I can't make lemonade.

5.  ... Susan use to be slim when she was at university?

6.  Bob Dylan ... original name was Robert Zimmerman won the Nobel Prize in Literature in 2016.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.

1.  The Internet became much available to the public in the 1990s. In 1994, the Stanford

2.  Federal Credit Union was the first bank in the world to offer it’s online Internet banking.

3.  By 1995, people around the world were starting themselves to have the Internet in

4.  their homes. The Internet in those days which was very slow because they had to

5.  use it a dial-up connection. The computer needed to use a telephone line and sent

6.  every noisy signals like a fax machine does. One of the problems was that if you

7.  were using the Internet, you couldn’t then to make or receive phone calls. Over

8.  the years, the Internet has became faster and faster as there was no need to use

9.  the telephone line for the Internet. Today, the Internet connects either computers

10.  and other gadgets in a network millions of times very bigger than the original one.